MIT and Harvard Scientists May Have Accidentally Created a Real-life Light Saber

Imagine whipping out your trusty light saber, flicking a switch and it becomes a gleaming blade of deadly light to strike down your foes. It only happens in the movies, or does it?

Normally, photons, the massless particles which make up light, pass through each other rather than reacting. Not a particularly effective weapon. At best, a spectacular light show.

But what if light beams push against each other, deflect each other? Then we have a functional light saber.

Harvard Professor of Physics Mikhail Lukin reports, "What we have done is create a special type of medium in which photons interact with each other so strongly that they begin to act as though they have mass, and they bind together to form molecules...When these photons interact with each other, they’re pushing against and deflecting each other. The physics of what’s happening in these molecules is similar to what we see in the movies." 1

Researchers filled a vacuum chamber with rubidium atoms, then, using lasers, cooled the cloud to just a few degrees above absolute zero. Using weak laser pulses, they fired single photons into the chamber.

Inside the frigid cloud, the photons slow dramatically as its energy is handed off from atom to atom, eventually re-emerging from the cloud with the intact photon.

It's the same effect that is seen when light passes through glass or water. When it enters the refractive material, it hands off part of its energy to the medium it is passing through and inside it exists as mass and energy coupled together. When it exits, it is still light. The same is happening here with the photons, except on a more extreme scale.

This discovery may one day be used to build the first quantum computer...or light sabers? Who said science isn't fun?

1  'Seeing light in a new way': Peter Reuell, Harvard Gazette, Sept 27, 2013, http://bit.ly/1GF63j3

An Excerpt from 'The Empire' for Teaser Tuesdays (SFR Group on FB)

A man entered through double doors, standing almost in pose as they closed silently behind him. His sharp gray eyes scanned the room in a split second as he sauntered over to the bar. Tamara paused as she brought her glass to her lips.

Someone interesting, fun and with an edge of danger, just what the doctor ordered for a dreary evening. She wet her lips and took a deep drink that slid down with fingers of warmth.

The man was simply dressed in a dark blue mandarin collared jacket and dark gray trousers. It was a subdued expression of elegance and wealth. He ordered a drink, a clear martini without the frills, and with a polite nod in her direction, sat down nearby.

“I haven’t seen you here before,” Boudreaux remarked casually.

He smiled and turned towards her. If her heart were one degree warmer, she would have melted easily under that glow, but instead it filled her with apprehension. This was the kind of man who was used to getting what he wanted, without seeming to work for it.

“You haven’t.” His voice was smooth as silk sliding across the most sensitive parts of her body, and his fingers played lightly around the wide lip of the glass. The sensuality of it sent shivers down Boudreaux’s spine. Her eyes narrowed. She was not used to being manipulated, and she recognized a master.

“You’re very full of yourself, aren’t you?” A little rudeness in unexpected company was useful.

He chuckled; the sound was like music and his eyes fixed hers with sudden intensity. “Professor Boudreaux, if you play with me, it will be fun, but I doubt if you will like the results.”

His body remained relaxed and his expression was one of amusement. The fingers continued their seductive tracing of the glass.

“Do you have to do that?” she asked with irritation.

The fingers stopped and his head tilted slightly as he regarded her. “Does it bother you?”

Boudreaux’s quick mind measured his response and his manner. Her voice became seductive and flattering, a queen going into battle. “Why do I have the feeling you knew it would?”

“Are you always this paranoid with strangers?” His eyes twinkled and he never lost the light, agreeable air.

“Only manipulative ones.” Boudreaux put her glass down, her insides warming with the heat of battle. This man did not have the delicious vulnerability of Adrian. He was a different sort of morsel and just as intelligent; and there was a knife-edge that fascinated her.

“Your colors are showing,” he said casually, as he brought the martini up and rolled the thin stem between his fingers. Boudreaux’s face was distorted on the clear surface.

The Professor’s teeth clenched in a tight smile as she suppressed a shudder of discomfort and excitement. It felt as if he had just stripped her bare and those sensuous fingers that so expertly ringed the glass, were poised to touch her. Her spinning head was giving her visions of throwing him over the table. She shook her head and answered his challenge. “And so are yours.”

     “Ah. But I wanted you to see mine.”

Get to Know the Authors Blog Hop

Thanks to Annette Bower for passing on the torch for the Get to Know the Author blog hop.


I've been writing professionally for about four years now. It's been a fun and rewarding ride that I don't plan to end any time soon.

My first forays into writing was when I was a youngster, not quite high school age. I started on two stories, one fantasy and one an action-adventure.

The fantasy story is where I get my online handle 'Kalinda.'


1) What am I working on?

I'm currently working on four projects, two actively: 'The Andromedans' which is book three of the Empire Series and is due out at the end of the year, Mrs. Beeston, my sci-fi/fantasy/humour epic, and untypically for me, two short stories, an eerie YA/sci-fi piece, 'The Tunnel' about a young girl who finds herself in the creepiest circumstances and 'The Piece' which is about music and a young man who cannot let it go.



2) How does my work differ from others of its genre?

Mine is not the typical sci-fi fare and yet it has many trappings of it. It certainly is set in the future and has a lot of future science as well as society surrounding it, but for my stories sci-fi is the backdrop to stories about the human condition. No matter how far flung into the future my stories are or how we have evolved or devolved, they are still character-driven tales about people who happen to live in the future or in future circumstances.



3) Why do I write what I do?

While I read a wide range of genres, my first loves are sci-fi, fantasy and mystery fiction so it's not surprising that is what I tend to write.

Why do I like them? Perhaps it's because I like to explore different aspects of our modern world as they would be if we continued the way we are or if we changed even one aspect of it. It's all the 'what ifs' which fascinate me, building a better world or avoiding a disastrous one.



4) How does my writing process work?

For me, the characters come first. In each of my tales, there is a person or being who represents the heart of the story, who is the emotional core. Until I have that, it's almost impossible to write without feeling like I'm pulling teeth, my own. Once I understand the heart, the reason for writing the story, then words fly onto the page and it's hard to stop. It becomes a labour of love.




Unfortunately, due to technical difficulties, I could only find two authors who will pick up the torch on July 7, 2014.

Ta da!

Mysti Parker

Mysti Parker is a wife, mother, and shameless chocoholic. She has published

three fantasy romance novels and several flash fiction stories. Currently,

she’s writing her first historical romance and has two children's books in the

hands of a hard-working agent.

   

Bree Donovan

Bree Donovan has been a South Jersey resident for most of her life, yet her fiction transports her readers to far away mystical places where otherworldly beings mingle with humans as part of the regular course of things.

She published her first book in 2008. Steve Prefontaine Rocketman is the biography of legendary runner and Olympian, Steve (Pre) Prefontaine. Bree worked with Steve’s sister Linda, his closets friends and fans in an effort to bring his inspirational story to young readers. To date, the book royalties have raised close to $5,000 for Steve Prefontaine’s former Coos Bay, Oregon, Elementary school to restore arts and physical education programs.

Bree’s Magic Realism novel, Blackthorns of the Forgotten was published in 2012 by IFWG Publishing. It is in this novel that angels, collide with demons, humans make bargains with the devil, but also learn about the true nature of love, and redemption. Ireland serves as the beautiful and mysterious backdrop to the book’s ethereal events.

Over the years, many of Bree’s short stories have been published for various blogs, websites, and Internet magazines. She even had three of her stories translated into German and published for German anthologies. She is currently working on completing her Masters in the MALS program at Rutgers University, Camden. Her latest writing effort is of non-fiction-her Capstone. Bree’s focus of study is, Equine and Hippotherapy, as her greatest passion is working and helping animals & humans.

Book Review: Writers Workshop of Science Fiction and Fantasy

I received a free copy of this book in return for an honest review.

Title: Writers Workshop of Science Fiction and Fantasy

Editor: Michael Knost

Page Count: 210 pages

Genre: Speculative Fiction

Published: April 18th, 2013

Publisher: Seventh Star Press

What if you could ask Neil Gaiman where he gets his ideas from? What if Orson Scott Card gave you his insights on developing voice and style? Imagine picking Elizabeth Bear's brain on the joys and intricacies of world building?

"The only thing an author can always depend upon is craft. Craft doesn't always enable the author to scale mountains. That depends on the author's talent and inspiration and dedication. But craft is like the mountaineer's tools and experience. They help when the going gets tough."

James Gunn

The Writers Workshop of Science Fiction and Fantasy is full of entertaining and informative short essays by some of the most respected writers in the genres.

The difficulty with books of this kind is that it can be a retread of other writing guides that do it in more detail, but this one, while it does present some material you've probably read before, skirts the problem by being something much more.

Sometimes it's good for writers to understand the genres they are writing for, and how it got there. Sometimes reinventing the wheel isn't necessary, and sometimes, maybe it is.

Starting with the inception of the idea with Neil Gaiman's essay 'Where Do You Get Your Ideas?' through to the tough middle and the endings, authors have their own ways of dealing with each area, but reading how successful authors do it is instructive and their voices of experience shines through each workshop. These writers love their craft and it shows whether they are writing their next novel or sharing their most important lessons about being a writer that people will want to read.

Middles that justify the openings and earn the endings are the hardest to develop.

George Zebrowski

Particularly good are the ones on 'Middles' by George Zebrowski, 'On Rhetoric and Style' by Orson Scott Card and a thought-provoking one on 'Unbending Gender' by Nisi Shawl that includes a link to a fun and gorgeously detailed chart on the pathways to stereotyped female characters.

This book is the collected wisdom of those who not only have been there, but have done it amazingly well. Each essay is chock full of experience, examples and anecdotes that reminds us why we love these writers. 

It's not only a writers' guide, it's a fans' guide into the minds of our favourite authors.

Entertaining, illuminating and challenging, this book is for readers and writers alike. I give it a 4.5 out of 5 stars.

A good, instinctive style that is a pleasure to read cannot be taught or learned directly. 

Is there nothing you can do, then to enhance your own style, to improve it? Why, of course there is! But, paradoxically, you don't do it by working on your style.

Orson Scott Card

Synopsis:

Writers Workshop of Science Fiction and Fantasy is a collection of essays and interviews by and with many of the movers-and-shakers in the industry. Each contributor covers the specific element of craft he or she excels in. Expect to find varying perspectives and viewpoints, which is why you many find differing opinions on any particular subject.

This is, after all, a collection of advice from professional storytellers. And no two writers have made it to the stage via the same journey-each has made his or her own path to success. And that's one of the strengths of this book. The reader is afforded the luxury of discovering various approaches and then is allowed to choose what works best for him or her.

Featuring essays and interviews with:
Neil Gaiman
Orson Scott Card
Ursula K. Le Guin
Alan Dean Foster
James Gunn
Tim Powers
Harry Turtledove
Larry Niven
Joe Haldeman
Kevin J. Anderson
Elizabeth Bear
Jay Lake
Nancy Kress
George Zebrowski
Pamela Sargent
Mike Resnick
Ellen Datlow
James Patrick Kelly
Jo Fletcher
Stanley Schmidt
Gordon Van Gelder
Lou Anders
Peter Crowther
Ann VanderMeer
John Joseph Adams
Nick Mamatas
Lucy A. Snyder
Alethea Kontis
Nisi Shawl
Jude-Marie Green
Nayad A. Monroe
G. Cameron Fuller
Jackie Gamber
Amanda DeBord
Max Miller
Jason Sizemore

This edition also includes several full page illustrations from award-winning artists Matthew Perry and Bonnie Wasson.

Amazon Kindle | Amazon Print | Barnes & Noble | GoodReads

A. F. Stewart's Blog: Book Review: The Rebels by Elizabeth Lang

A. F. Stewart's Blog: Book Review: The Rebels by Elizabeth Lang: My Book Review of The Rebels :   The novel The Rebels , the sequel to The Empire , is as engrossing as the first book in the series. T...

Science Fiction or Science Fact: Aging as a Disease?

                What if we could pop an immortality pill that ‘cures’ the ageing process?

                                                                   ~~~~~

Ponce de Leon hunted for the Fountain of Youth. The Epic of Gilgamesh, one of the earliest literary works, was about the hero on the quest for immortality. In China, they ingested jade, gold, cinnabar, mercury, sulfur and arsenic under the mistaken belief that they would prolong their lives—and which ironically, ended quite a few since many of the solutions were toxic.

The search for immortality has a long and checkered history, but now, it may be a lot closer than it has been since the beginning of human history—at least outside of religious beliefs.

Leading scientists are calling for ageing to be classified as a ‘disease’ in the expectation that treatments to increase human lifespans by hundreds of years will become reality in the near future.

“60 is the new 40” because of advances in modern medicine and improved standards of living. In the UK there are 10,000 people over the age of 100 and this number is expected to soar to over half a million by the middle of this century.

Until the 1980s, it was assumed that the process of ageing was very complicated but research has thrown that out the window when it was discovered that a mutation in a single gene, rather than hundreds of genes, could bring about an increased lifespan in animals.

Much of the story of the last 20 or so years has been trying to ‘unlock’ the how these ‘mutants’ work and some of the approaches are amenable to the development of drugs. So, the idea of an immortality pill isn’t that far-fetched.

One of the greatest difficulties to ‘solving’ the ageing process is the lack of investment in research. If ageing was classified as a disease, it could encourage more investment in research for it.

Richard Faragher, professor of biological gerontology at the University of Brighton and chairman of the British Society for Research on Ageing, said "I think there is a longstanding idea that ageing is a natural process and we shouldn't interfere in natural processes. It is a mindset, but it is one that is enshrined in the law – normally what happens is the law around medicine allows claims that this [drug] will be beneficial for the treatment of specific diseases. To take a silly example, even if you had genuine immortality tablets you couldn't legally sell them as such because ageing does not exist as a clinical condition in law."

Dr Aubrey de Grey, co-founder of the California-based SENS (Strategies for Engineered Negligible Senescence) Foundation, which focuses on research into regenerative medicine to treat the diseases and disabilities of ageing, said, “There is no reason to suppose there would be any kind of limit on how long people can live if we can develop regenerative medicine for age.

"It is likely to be a very sophisticated multi-component treatment, involving many different stem cell therapies, gene therapies to manipulate the DNA in the body, and also more traditional things like vaccines. And there may very well be surgery involved, at least in the early stage in the development of these therapies, to replace whole organs with artificial ones that have been created in a laboratory using tissue engineering.

“…there is a 50/50 chance at least of developing all of this within the next 20 or 25 years.”

Of course, the issue of ageing and immortality isn’t just a scientific one; there are sociological and societal concerns, not to mention a Pandora’s boxful of religious ones.

Humanity may have been searching for immortality since the beginning of time, but should we have it? What are the implications if no one dies due to age?

IFWG Publishing: Story Quest Contest: Winners and Finalists Announc...

IFWG Publishing: Story Quest Contest: Winners and Finalists Announc...: IFWG Publishing and SQ Mag are pleased to announce the finalists and winners of the 2012 Story Quest Short Story Contest. Winners: First...

Diving into the DoJ's Ruling against the Publishers--And Drowning in Nonsense

I'm reading this DoJ ruling against publishers and the deeper I read into it, the more ridiculous it sounds.

I really recommend reading it in depth and look at it logically because it's just hilarious how little it actually makes sense.

The DoJ recognized that 90% of the public comments it received were overly negative towards the DoJ's ruling.

Then it says "It is not practical, however, to address every argument
raised in the public comments and opposition briefs. Broadly
speaking, the comments in favor of the decree mirrored arguments
presented by the Government."

Basically it's saying that it was going to ignore anything except the 10% of comments that agreed with the ruling.

Wow.

Then it says "They argued that the proposed
Final Judgment will promote retail competition and benefit
consumers by allowing for lower, competitive e-books prices. A
number of comments further argued that the decree will benefit
industry stakeholders, like authors, by increasing their royalty
payments and facilitating self-publishing."

First, self-publishers don't get a royalty. Self-publishers get to set their own book prices and give Amazon a commission for providing an online platform for selling the book. Something this DoJ ruling is denying publishers.

So self-publishers are allowed to set their own prices, but if you're a publisher, Amazon sets the prices for them. I can see how that's fair and right.

And I can see how reducing prices actually increases the amount that goes to an author when the author gets a percentage of that price because a percentage of a lower amount mathematically means more money. Did these people fail basic math?

The DoJ ruling only recognizes competition between retailers. The publishers want the competition to return to what it was before, competition between publishers.

Anyone whose not blind will see that there is no across the board setting of bestseller pricing. The prices are set according to the author. The more famous authors have higher pricing on their books. That makes sense.

Amazon coming along and slashing prices wholesale just to undersell its competition regardless of the actual value of the book and the author, is a disturbing trend.

What the DoJ and Amazon is trying to do is reduce the value of books and authors to a product whose price is manipulated by retailer competition alone.

Why is this bad? Because books aren't like normal products. Do you value a van Gogh according to all the valuable paint that he used? Or the artistic talent and the name of the artist?

Do you buy a book because of all the valuable paper you're getting or because of the story and the reputation of the author? Do you get a different story when it's in electronic format than if it was printed on paper?

Shouldn't publishers set their own individual prices for competition just like self-publishers set their own?

Should the competition be between the people who produce the books (publishers and self-publishers), because they have a better idea of what it's worth or should competition for books be between retailers who have no problems treating books like dollar store products?

http://www.publishersweekly.com/binary-data/ARTICLE_ATTACHMENT/file/000/000/949-1.pdf

More Shady Practices by Amazon

I was doing my usual round of bestseller rankings stats and this time, took a closer look at how prices are displayed on Amazon.

First of all, Amazon does the despicable practice of putting books by some of the Big-6 as 9.99 on the Top 100 List, but when you open up the link, it shows the REAL price, which is more than 9.99. This is a nasty psychological trick to paint these publishers as liars and cheats. i.e. tricking people into thinking it's a lower price when it's really higher.

EXCEPT that it's Amazon that is trying to trick the consumer and for a very nasty reason, in order to make it seem like the publisher is the bad guy who is trying to deceive the public and it's not. They've been very upfront about their pricing. It's Amazon whose being dishonest.

Second note. If you look at prices for various books from the trad publishers, there is a wide range of pricing, reflecting fair market value for the works of those authors, ranging from 1.99-14.99 or more.

Some authors' works are worth far more than the average writer and definitely more than your newbie. So the pricing reflects this. It is a value that is agreed upon by the consumer because they're buying it. If the consumer didn't agree that this author's works are worth more, they wouldn't put them on the top 100 at that price. That's simple economics.

People buy because of the product, which for a book, is the author's name and the story. People don't buy books because they think they're getting really valuable paper. It's not about the paper. In pricing of books why should the paper figure into it at all?

When you buy a print book, do you go around telling your friends 'Look at how much paper I got. 150 pages worth. Wow! Feel that paper. Heft that weight. It can be a great paperweight as well as a book!'

Seriously.

Do ebooks not require the same amount of acquisition, content-editing, line editing, proofreading, cover design, sales & marketing, advances to authors as paperbooks?

Yes, they do!

The only difference is the cost of the medium. The major costs of producing a book, whether an electronic book, or a physical paper remain the same.

But what about the paper? Paper is expensive these days. Really?

Let's take a look a bit at the reality of book production costs. Even for a HARDBACK book, which costs much more than a paperback, the cost of producing a gorgeous, full-color edition of a $30 hardcover book is...$3.50. That's for a hardback with all the trimmings. It's far less for a paperback.

So...do paper books need to be priced far more than an ebooks? Or its corollary, do ebooks need to be priced far less than a a paper book because of all the not-very-pricey paper printing?

It makes no sense to price them as if the printing process itself is really expensive. It's not.

The major costs of producing an ebook and a print book, which isn't the physical product, are still the same. So why shouldn't ebooks be priced very similarly to print?

Just because the tide of self-publishers now have reduced the art of book covers to something that someone with a crayon and a handy graphics program can do (like having a program makes someone an artist...I guess if the same applies to being a writer, why can't it apply to art? *eye roll*), why can't we do that to the craft of editing, proofreading, marketing...Because people who do it for a living must be stupid and they're just fooling us that it takes talent, skill, experience and training to produce something good.

It's the MacDonald-ization of the book industry.

Just because MacDonalds sells edible food that many people buy, doesn't make it good or even healthy food. There is still such a thing as quality. It applies to food and books.

I was attending a panel by book cover and graphic artists. These people are amazingly gifted. Most are traditional medium artists as well as digital. They've forgotten more about art and graphic design than most people will ever know. They are embracing the new world and unlike many self-publishers who whine and blame other people for not taking them seriously, these artists don't. They feel that if you can't adapt and succeed on the strength of your own work, you don't deserve to be in the industry. Whining just doesn't cut it for them.

But what did disturb me was discovering that while many of these people have been industry for 10, 20, 30 years and used to be able to support themselves and their families on just doing cover art, they no longer can and have looked for other avenues. Some people doing art for graphic novels. Some taking a stab at being writers themselves. Because if anyone can be a writer just by uploading a file and calling themselves one, then they can too.

Next is the publishing of back lists.

Even for publishing of back lists which the uninformed seem to think should cost nothing because they already have the content and it already has a cover and been edited. There should be no cost other than for uploading it, which is nil. Right? Uh, not really.

Okay. Another dose of reality here. And a little education for those who like to guess and claim things using 'logic' and rationalization that's totally devoid of any real facts or the reality of the publishing industry and economics.

When did computers become a household item? I can tell you that they weren't in my house when I grew up and weren't in the schools until much later in my life. Just because they're common as bread now doesn't mean they've been around forever.

The majority of backlists are not in electronic format. How do you think they're going to get them into a computer? Typing mice? One of the things I discovered during the WFC last week was the cost involved in bringing backlists into the electronic market. They OCR the physical text. Then they need proofreaders going through the text again because the OCR technology is not perfect and there are usually errors in the final file.

An example of this is some of Barbara Hamblys backlists that have been translated to electronic form. She's a brilliant writer and one of my favorites so I rebought a lot of my favorite books from her once they appeared in electronic form. I discovered to my horror a lot of errors in the text. And being a techie, I soon realized that someone had done a mass edit and replace of certain combinations of letters. Programmers never do that. At least not the good ones. It's because you inevitably change programming you didn't intend to while fixing something you did.

Fortunately her later books are better so someone obviously learned and did a proper edit before releasing it. Chalk that up to lack of understanding about the power of a mass copy-edit.

What about the cover? Are they different from the text and are somehow in some magical electronic format when text wasn't? No. They have to be redone too. Do that the publishers have some storage space where they keep copies of twenty, thirty, forty years of art work?

All that costs. So do republishing backlists cost next to nothing? No. No. No.

Amazon doesn't care about books or authors. They very happily would reduce it to nothing in order to get more people to buy their Kindles and sign up to their Prime service.

Oh wait. They have already put a program into place that does reduce the value of books to nothing. It's called the KSP. Exclusivity used to mean something, but because of Amazon, it's been reduced to a marketing ploy that encourages authors to give their books away for nothing and to tie themselves and their customers to Amazon's proprietary format...not to benefit the authors. Because putting all your eggs in one basket is never, never, never a good idea. Any five year old will tell you that. I guess authors are a different story.

Don't think Amazon would underprice things, sell things at a loss in order to drive more business to its site? Amazon sells far more than just books. It needs customers to buy stuff from Amazon and it needs an incentive. Guess what. Books are that incentive. Look at all the free and cheap stuff you can get on Amazon. Come and take a look, and buy other stuff. They don't care that by selling at a loss hurts the authors and publishers in the long run, as long as it drives business to their site. They don't depend on books to make money even if you do.

Don't think so? Look at how the Amazon site is structured. When you open up the pop up menu, what appears first? Hmm, that would be Amazon's Prime service. Amazon's Cloud drive. Any mention of books yet? Not a one. It must be here somewhere. Next. Kindle. That's close. But no cigar. Then we get 'Appstore for Android' and 'Electronic Games and Software'. Hey I thought we were getting closer. Not really. Still think books are important to Amazon?

It's definitely not listing by alphabetical order unless your alphabet begins with 'U' (Unlimited Instant Videos) and goes onto 'M' (MP3s and Cloud Player).

Mine begins with the pedestrian 'A' like everyone elses.

And 'Unlimited Instant Video' and 'MP3s and Cloud Player' aren't even remotely connected to books.

Let's take a look at the Kindle menu item for a moment. It's amazingly detailed. It lists every single Kindle currently available as its own menu item. THEN, amidst all of that, like a needle in a haystack, we finally get the first mention of books: 'Kindle books.'

Getting back to the main menu. We then have Audio books. Which is odd since you'd think they shouldn't be a big selling item compared to ebooks. Not to mention most audio books are of traditionally published books. It's not a market self-publishers can afford to get into in a big way yet.

THEN we have Books. Yes, after all the focus on Cloud, Kindle, Prime and even AUDIOBOOKS for &^%sakes, we FINALLY have Books.

Still think books are important to Amazon. Visually, the picture is very clear.

And for those who insist that buying books from Amazon is much easier. Really, going to main Amazon site, finding books is really like looking for a needle in a haystack. How exactly is it easier for book buyers? Cause I can't see it.

And from the 'Books' menu item, we get simply Books, Kindle Books, Childrens Books, Textbooks, Audiobooks and Magazines.

(Wow, why are audiobooks, which most self-published authors don't have and which already has its own dedicated menu item in the main menu list, listed twice?)

Filter by specific genre requires an additional mouse-click and another page. i.e. another step, UNLIKE Barnes and Noble and Kobobooks where from the main page, you're either already at Books or the Books menu item is staring you right in the face and you don't have to use a microscope to find it like on the Amazon site.

Yeah, I'm looking at it from the perspective of a READER, which is what people should be doing.

And the genre filters are right there on the front page or are easily accessible without an extra page to go to. Yay for ease of use and sites which actually treat books with the respect they're worth and not after a menu full of EVERYTHING ELSE EXCEPT BOOKS i.e. like Amazon.

But, you say, Amazon shows lots of books personally picked for you on the front page from your previous views. That's supposed to make a difference? So does Kobo. So does Barnes and Noble. And really I usually have an idea of what I want that rarely has anything to do with Amazon's recommendations. I buy according to my mood at the moment, something Amazon, and the other online booksellers know nothing about. So something like fewer clicks to get what I'm looking for is important and Amazon fails for me in that respect.

Third Note. Another deceptive and shady practice by Amazon. Looking again at how pricing is displayed on Amazon. I first noticed a discrepancy in pricing that was beyond Amazon vs publisher established prices. It's in the 'applicable taxes.'

Notice that with all the Big 6, that higher price, regardless of what that price is, INCLUDES applicable sales tax. With books outside of the Big 6 and especially books published by Amazon, it doesn't in most cases. Not only do the prices shown not include applicable sales taxes, you don't even get charged sales taxes when you check out.

How does that work exactly? Why is it that the Big 6 charge sales tax and Amazon doesn't? Is it some massive conspiracy and most of the Big 6 are charging more than they should? It may be a conspiracy, but it's not on the publishers part, it's on Amazon.

It's in that carefully worded phrase, 'APPLICABLE taxes.'

You see, Amazon doesn't think taxes should be applicable to it at all and for a long time they didn't collect sales taxes. Period. Like many fat cats who make too much money and think they shouldn't pay like everyone else, they used a very little known loop hole. This loophole was meant to protect SMALL online business, which when the law was enacted, was a fairly new thing.

Does anyone in their right minds think Amazon qualifies as a small company?

Technically, Amazon supposedly didn't do anything wrong. But in the spirit of the law, they were wrong.

Most traditional publishers followed legal practices and have always charged sales tax.

This has always given a highly unfair advantage to Amazon over its competitors, something that it doesn't need. It's like giving everyone else a handicap, except Tiger Woods. Is that fair?

Amazon is so wrong that each State started drafting legislation to force businesses (i.e. Amazon) to comply with tax regulations and to close the loophole. Amazon disagreed and didn't like that the legislation was aimed specifically at it. When you're the only one whose breaking the spirit of the law, why shouldn't the legislation be aimed at you?

So, instead of accepting its medicine, Amazon, the perennial bully, tried extortion. For each State that dared to go up against the behemoth, Amazon threatened to pull its associate program from that State.

Okay. So not only is Amazon stealing them blind, they're trying to strong-arm them into accepting it.

Don't think so? That's what happened to California. That's a fact.

Some States knuckled under and gave Amazon what it wanted.

But some of the States stayed strong against the bully and that is why Amazon has to collect 'applicable taxes' in 8 states: CA, KS, KY, ND, NY, PA, TX and WA. This list is taken straight from the Amazon page on taxes.

Hopefully the other States persist and enact their legislation to force Amazon to play fair.

Look at what else they say:

"* Kindle books, subscriptions and active content titles sold by various publishers are subject to sales tax based on the publisher's tax reporting obligations and the taxability of digital books in those regions. As a result, sales tax for Kindle books sold by the publisher may differ from the sales tax to which you've been accustomed for Kindle products."

Yet another example of double-speak and nastiness by Amazon.
"Kindle books, subscriptions and active content titles sold by various publishers are subject to sales tax based on the publisher's tax reporting obligations and the taxability of digital books in those regions."

Wow, so publishers have and recognize their tax obligations, including that of digital books.

That lends the big question, WHY DOESN'T AMAZON?

"As a result, sales tax for Kindle books sold by the publisher may differ from the sales tax to which you've been accustomed for Kindle products."

"accustomed to for Kindle products" i.e. Amazon's way of saying we don't collect sales tax and we pass that savings onto to you. BUT excuse me. The publishers don't collect this sales tax to benefit themselves. No matter what anyone feels about sales tax and government spending, SOME of that sales tax is used for schools, road infrastructure, minimum standards of food and drugs, policing, etc. This is money that is used to serve the public.

And Amazon isn't collecting it and its trying to convey the impression that it's for the good of the consumer. What they really intend is that it's for AMAZON's good because they're the only ones who benefit from this terrible practice in the end. Amazon's products get sold more because they 'seem' cheaper. But this is a lie. It is the public who suffers in the end because the money that should be going to taxes isn't being collected.

Is Amazon going to pave your broken roads for you? Fat chance. Is Amazon going to light your streets for you? Are you kidding?

And to justify themselves Amazon has lately added this, because it suddenly has a burning need to justify itself (I wonder why...):

Internet Tax Freedom Act

Companies selling over the Internet are subject to the same sales tax collection requirements as any other retailers. Remote sellers (including Internet retailers and catalog companies) are generally required to collect taxes where they have a physical selling presence. If they do not have any such presence, they are not required to collect sales taxes.

The Internet Tax Freedom Act (ITFA) has been renewed through November 1, 2014.
The ITFA was primarily intended to prevent state and local governments from imposing new or discriminatory taxes on Internet transactions and on Internet access. Despite the name of the Act, ITFA does not preclude state and local governments from imposing existing sales tax collection requirements on companies selling over the Internet.

Amazon must really think people are stupid to think this excuses them from this kind of behavior.

The ITFA was primarily intended to prevent state and local governments from imposing new or discriminatory taxes on Internet transactions and on Internet access.

BUT AMAZON DIDN'T COLLECT AND PAY TAXES! Until it was forced to.

What the law was meant to do was to prevent unfair practices. I'm assuming this meant additional taxes that no one else had to pay. That makes sense, doesn't it?

Does anyone think that Amazon not paying tax is in any way fair when everyone else has to?

So, to get back to my original argument. The prices for the traditional publishers shown on Amazon INCLUDE applicable taxes. So the prices they charge are the publishers price + taxes.

But on Amazon it adds "This price was set by the publisher." which isn't quite true, is it? Because it is more truthfully..."This price is set by the publisher plus an additional amount of taxes which the publisher, in following the law, also includes. Unlike AMAZON."

Makes me wonder...with this tax kerfluffle and when Amazon realized that the government could not be pushed around and that its tax-less advantage was disappearing...then we started hearing about the Big 6 supposedly practicing collusion and being charged by the DOJ. Did you know that Amazon invited the DOJ several times to meetings at its own expense, of which there are no reports? Plus Amazon was required to file far less paperwork to support its position than the Big 6? Hmmm. Does that not sound highly suspicious?

Plus, did you know that Amazon was given an untendered contract to provide Kindles to the government? Then suddenly this past year that contract was pulled. Probably because it smacks so much of under the table dealing that they realized they couldn't get away with it.

Because seriously...untendered contract? If it were anyone else there'd be screaming of bloody murder and collusion and kickbacks.

Please people. Look at facts and don't let Amazon pull the wool over your eyes just because it gives you pocket change. Don't sell yourself that cheaply.

The Fallacy

Just read another blog post that made me laugh. Are writers truly that naive to think that Amazon loves them and are a great boon to writers and won't screw them in the end?

Do they think bookstores are so 'selfish' that they're only thinking of themselves and refuse to sell great books?

Okay what are these people smoking? Bookstores are a business. They are there to make money. If something will make them money in the end, they will do it. If something won't, they won't do it. Same goes for Amazon. Do you really think it's they're TOO SELFISH TO MAKE MONEY? Please use your brains.

They are selfish. No doubt about it. They are selfish enough to do the things that they know will make them money and get rid of those things that cause them more trouble than they're worth. Like customers demanding their money back for buying crap. If trad published books were crap, wouldn't you think the customers would be complaining about them and sending them back in droves instead of self-pub books?

Amazon has been desperate to open bookstores and has been for years. Do you really think that bookstores are disappearing anytime soon? Amazon certainly doesn't think so and they know better than anyone else. They don't do anything unless it will net them loads of cash.

As for traditional bookstores not stocking Amazon books...seriously, do you really think it's about authors? 

Or is it because they really really don't like Amazon because it has regularly screwed the bookstores the past few years. They send customers as spies to brick-and-mortar bookstores in order to get their prices so they can always offer lower prices, a clearly offensive tactic and they expect those same brick-and-mortar stores to welcome them with open arms? Seriously. It's not about authors. It's about being pissed off at Amazon.

And self-publishers...hmm how many times have I had readers and bookstore clerks complain about the low quality of the self-pub books they originally were willing to put on their shelves. Because some did, until they were burned and got complaints from their customers. That's a fact. Can you blame them for not wanting to stock self-pub books anymore? They're not a charity.

And for those who insist that there are trad pub books that are just as bad. Really. Name 10. And list all the errors in them compared to any 10 randomly picked self-pub title that have barely gone through editing.

Do you seriously think people will believe that works that have been properly edited are of lower quality than non-vetted works? Do you really think experienced editors who do it for a living are stupid and no better than your completely unexperienced cousin or friend editing your work?

Do you think anyone with a brain would believe that? Why don't people pull their kids from school because obviously receiving an education and having skills and experience is worth nothing according to these self-publishers.

Meh.

The quality has somewhat improved. I know a couple of self-publishers who have their work properly edited who are really good. Most of them don't whine incessantly like many self-publishers, esp the newbies who don't have a clue, do. They let the quality of their work speak for themselves.

And really, are loads of authors leaving trad publishing? I've been to many conventions that have loads of authors. Yeah, don't believe that at all.

The fact is that trad publishing has cut their lists of authors, and cut them again. I have no doubts that many of these ones who are no longer with trad publishing and are bashing them, people 'assume' have left because they're fed up and not because they were dumped.

I actually know and have met trad authors who are quite happy where they are. Most of them don't bother with the new wave of authors coming in outside of the system. It's not even an issue. Their opinion is that time will tell. It always does. They're not concerned. And why should they? Statistically, trad publishing isn't really doing that badly, though they are being pushed by Amazon (note, that does NOT equate self-publishers though many seem to think they're one and the same). Amazon doesn't represent self-publishers and couldn't care a rats ass about authors. The only reason why they're supposedly giving them a 'great' deal (yeah, some deal...dump all the work of producing a book on the author and take a huge chunk for doing next to nothing except provide an online bookshelf to put your book) is to screw the competition so that Amazon can have a monopoly.

The threat is that Amazon can afford to sell products below cost in order (which presumably is illegal) to screw the competition.

Don't believe it? Three very big wake up calls that self-publishers seem to have completely missed this past  year because they have been navel gazing.

One. Amazon has opened their own trad publishing imprints. The only thing self-publishers seem to see is...yay, that's good for us. They completely miss the point. Do you really think Amazon believes in self-publishing if they have made a serious effort to get into TRADITIONAL PUBLISHING?

Guess what the implications of that are. Take a real, educated, objective guess.

That's because it is where the future is. Amazon knows that. They believe it so much that they're spending loads of money to set up these imprints PLUS trying to get into brick-and-mortar stores or thinking of establishing their own.

They're not in it to lose money. So is trad pub or brick-and-mortars going to die? Not according to Amazon who is throwing a whole whack of money at it.

Wake up!

Second. They're paying huge advances in order to lure away big name authors. People think they're nuts because there is no way they will make money from it. But guess what. It's the same thing they're doing with the Kindle and selling below cost. It's being done to screw the competition. Amazon is willing to lose that money because it knows the trad publishers can't afford such crazy advances. But in order to keep those authors, trad publishers may be forced to. Something they can't afford.

Underhanded tactics? Predatory practices? Amazon is well known for them. Do you honestly think they won't do the same to authors?

Why do you think so many authors refuse to have anything to do with Amazon? I was at a writer's convention this weekend and some authors are livid at what Amazon has been getting away with and always recommend that people buy their books from anywhere except Amazon.

Self-publishers a threat to trad publishers and brick-and-mortar stores? Let's not get ahead of ourselves. It's Amazon with its megawads of cash and predatory practices that is the real threat.

Three. When Amazon first introduced the KSP program, 'allowing' people to sell their books for free in return for helping Amazon screw the competition by making those books exclusive and tying customers to Amazon because Kindle format is proprietary, the best-seller rankings included the free downloads numbers.

We know what that meant. The higher you were in the rankings, the greater the chance your book was included in the recommended list on other books' pages, or the 'people who bought this also bought this lists'. That was and still is GOLD. To be recommended by the Amazon calculation engines is a sure sign that you've succeeded and are going somewhere.

Guess what, as of last year, that started changing. Because Amazon realized that free downloads were worth jack in terms of real value.

So a major advantage of giving  books away for free in order to help Amazon, was no longer that much of an advantage except for Amazon. That's a fact.

Partway through last year, they weighted the free downloads at a percentage of real sales. Then, they stopped that all together and it didn't matter how many were downloaded free, they had no impact on the bestseller calculations.

Gee I wonder why Amazon did that? The majority of people who use the free program are self-publishers and some indie publishers.

Trad publishers on the whole won't touch it because they have no interest in shutting the doors to all other platforms, including other online sellers. They're not stupid.

Giving Amazon a monopoly is like jumping into a pool full of sharks. It may 'promise' that it won't eat you, but who really believes that from past experience?

Just ask all the people who've had their reviews deleted without warning or explanation the last week, and who Amazon refuses to listen to even if their beef is genuine.

Ask the book reviewers, some of whom refuse to post on Amazon. I wonder why...must be because Amazon is a cuddly bear and a generous uncle all rolled into one. Not.

I can't believe some people still think Amazon is such a great boon to writers and are doing things to help them. I wouldn't be surprised if it's the same people who actually believe the Amazon lie about the Kindle being sold out. Look at the real numbers people. It ain't even close to the truth. Amazon is one of the most secretive companies. It refuses to release any real numbers about overall sales of books or the Kindle or how it does its bestseller calculations. All it gives are vague generalizations and claims without anything to back it up. It's one of life's big mysteries.

Fortunately, people who work in this industry for a living actually keep track of numbers and look at real values and they say Amazon is full of crap with its 'claims'. If they laughed any harder, they would be rolling on the floor. They must look forward to each Amazon press release because it's chock full of comic material.

I can't wait for the other shoe to drop for people who actually think Amazon is great for writers. It has already started if they're paying any attention. I hope you have a life-raft to crawl into because the shark is turning.

Not that I love trad publishers, esp those ones who are run by the accountants. I think that it is a golden time for writers and we are gaining more leverage during these times and I hope that sticks and trad publishers wake up and treat writers better. But I don't think they're the enemy, not by a long shot. I do think Amazon is the enemy though and I hope that the naive self-publishers that have entered the business recently will find that out before it's too late.

Publishing Wars or Not Publishing Wars

It's funny how some people seek validation by putting others down without actually finding out the facts.

Those who still seek trad publishing aren't stupid, blind, unable to read or use the internet. We are just as intelligent and savvy with technology as the self-publishers claim they are. We are not choosing trad publishing because we're ignorant of self-publishing, nor are we choosing it because we've never tried the 'glories' of self-publishing. In fact, many of us have tried self-publishing, and some self-publish some works alongside other trad published books.

We are choosing trad publishing because we are informed and still value what trad publishing offers, while we are willing to accept some of the restrictions. Just as self-publishers value some of the advantages of self-publishing while choosing to bear some of the additional burdens that are inherent in DIY.

There are values in BOTH avenues, and I think that those who swear by one or the other, really don't understand the values of each one over the other.

Personally, I think that there is room for both and neither one will disappear. I think there is a role for each type of publishing, though I think that both of them will continue to change and adapt until we find a happy medium for authors, publishers, readers, bloggers, critics, libraries, book sellers and all of the sundry services that feed the publishing industry. I think each one has an important purpose that has evolved over time to meet needs which still exist today, though the forms have changed; just like the revolution of the paperbacks which many were sure was the death of the trad publishers, but they are still live and flourishing after the rush, after they absorbed the new technology.

Publishers are not stodgy people stuck in the dark ages. It takes a larger organization a longer time to respond to changes than single individuals. It doesn't mean they're incapable of it, it just means watch out once they do.

Do you really think they're so backward that none of their books are in ebook and it's just self-publishers who have embraced this technology? Guess what...all of the trad publishers publish in ebook format as well as print and in far more formats than most self-publishers.

Trad publishers actually have the experience to think and plan for the long term once they see changes. There are many creative things they're doing now that self-publishers haven't even thought of.

Some of the top self-publishers are actually signing with trad publishers, yet it's only the ones who don't who get the publicity among self-pub circles.

Those who've been following my posts know I've been tracking the top 100 bestseller lists on Amazon. I say lists because I don't just track general fiction, I also track lists from specific genres and one thing I've discovered is that while trad publishing does well in the overall list, it does amazingly well in one of the major genres, Mystery. And I think I know why. Of course, it also does surprisingly poorly in sci-fi, fantasy and horror genres, mainly breaking even with self-publishers, but that's for another post.

A month or so ago, I noticed that the majority of Laura Lippman's books (a major mystery writer) were on sale for between .99-2.99 on Amazon and Kobo. That lasted about 3 weeks and I picked up a lot of them. The price for the novels have returned to normal. > 9.99. But there is still about a dozen of them, stories taken from one of her anthologies, which are priced for .99 Her new novels that are priced at normal levels for a well-known trad pub author, are still doing well even though they are no longer priced low.

That is what everyone who lower their prices hope will happen.

But unfortunately, after that initial rush when the free-craze wore off, many people are finding that cheap prices don't really translate to lasting higher book sales after the free period. Some do, but the majority don't.

Cheap prices is no magic formula for success. In the end, other than for a bit of luck, you still have to have talent, a great story, wonderful characters, and good production values, regardless of whether you are self, indie or trad published.

Do people truly think that readers will put up with crap if it's cheap enough? I think they'll be willing to download free stuff by the hundreds, but actually read it all the way through and enjoy it enough to be moved to write a review? I think most people have found that the number of free downloads does not translate to actual reviews. Unless you're actually good.

Just look at book bloggers for an example. They receive tons of free books, but the number of ones they actually choose to read is limited by time and many will only read the ones that they think they will enjoy reading, which is only a small percentage. I think the same goes for people who go crazy downloading every free book they see. It is impossible to read so many books. Most people actually have a life. So the chance that they'll actually read any significant percentage of the books they continually download is small.

Just take a look at the TO-READ lists on Goodreads. Some people list hundreds and it grows daily. There are only 365 days in a year, 366 in a leap year. You do the math.

Going back to the Mystery genre for a moment. Laura Lippman's books were priced down for a period and now she still has short stories that are priced very low.

I took a closer look at the various categories of sales that I track for each genre and found something interesting for the Mystery genre where trad publishing (and I'm not even including Indie or any of the Amazon imprints) is doing quite well. What is so interesting? I track 3 different categories of sales. under 2.99, over 9.99, and those in between. In Sci-fi, Fantasy and Horror, there are hardly any trad books in the under 2.99 category. In Horror, which they do the worst in, there are no trad books in the under 2.99 category. There are 2 in each of Sci-Fi and Fantasy which they are doing okay but not great.

Remember that I'm tracking books in the top 100 of each list so we're talking about 2 books on the top 100 list that are priced under 2.99.

Of course, the majority of self-pub books in the top 100 fall in the under 2.99 category.

But, as mentioned, this is different in the Mystery category. Trad publishing has a significant presence in the under 2.99 category in this genre with 7 out of 100, compared to 15 of the self-pub in this category. And before people point out that 15 is far greater than 7, the majority of trad books in the top 100 Mystery fall in the 9.99+ category with a whopping 45 out of 100.

What does this mean? I am speculating here because of what was done with Laura Lippman's books. I'm not personally aware if this was done with any other trad authors books but I wouldn't be surprised if it were. It appears that the trad publishers are using Mystery to test pricing strategies in today's book buying climate. So they discount, but do not make free, books by popular authors for a short period to build readership and interest. They also have been testing lower priced shorter stories, some short prequel stories and other books based on the worlds of the longer novels. And this strategy appears to be WORKING for Mystery.

Because, as mentioned earlier, in the end, it isn't whether a book is cheap which builds an audience, it's the quality of the book and face it, trad published, while not all perfect, does put out a larger percentage of higher quality books. When the reading public has a choice of cheap low quality or cheap higher quality, guess which one they pick. Now, some self-publishers still do well, but nowhere near as many as the trad publishers in this genre, because there are some talented self-publishers out there who produce good quality books.

As a final point, we know that there has been a shift away from self-pub this past year. While writers still flock to self-publishing in droves because it's fast-food easy now to DIY, the numbers tell us a different story, in particular with regards to how Amazon calculates best-seller rankings. This is different than how the top 100 bestseller list is determined because those are directly affected by real-time sales.

The bestseller rankings, the ones that drop to the 10ks when you sell one book but goes back up to 100k in a day or so, are calculated values and the calculations are highly secretive and only known by Amazon.

BUT people who are better at math than I am and far more anal have been tracking these numbers too and they've discovered 3 different sets of calculations. The first one includes free books on par with paid books. The second puts a lesser weight on free books than paid. The third does not include free books in the calculations. Guess which one Amazon has been moving towards the past year? It's the one that does not use free books in its calculations. That is a good indication of how little Amazon values free books in terms of real numbers.

Again, I'm just speculating here, but if I'm right about what has been happening with the Mystery genre and the trad publishers realize the experiment worked and they start moving those strategies to the other genres...

The Changing World of Book Buying

From recent numbers by Bowker Market Research, we find some interesting things about the changing landscape of the book buying public.

Bowker Market Research numbers

Global Ebook Research

From the Diversity of Where Books are Sold chart (i.e. out of 100 books, where were they bought from)

26% of people buy their books from bookstores (this means physical books). 39% buy from estores (this means BOTH ebooks AND physical books, not just ebooks alone).

That makes 65% of all books are bought either online or in traditional bookstores.

7% is by direct-to-customer or Other means.

That means that 28% of books are sold by independent bookstores, bookclubs, supermarkets, religious bookstores...all of which are paper or hard cover books, because you don't buy ebooks from those places.

So, from the Diversity of Where Books are Sold chart, 26+28=54% + the number of non-ebooks sold online > means more paper books are sold than ebooks.

This makes sense from the Book Buyer Behavior chart.

While 50% haven't changed their book buying habits,

13% are buying more used books or swapping books. These have to be physical books because you can't buy a used ebook or swap ebooks.

12% borrow more books from the library. While there is a way to borrow ebooks from the library, the majority is still physical books.

8% buy more paperbacks now than hard back books. Well that's pretty evident.

6% are swapping books with each other, which appears to be a redundant number since that was covered in the 13% earlier.

Only 5% are buying more ebooks to download.

The one troubling statistic is that 21% of people are buying less books, of any kind, than before.

From the other survey of Global Ebook buying, we get these numbers from the US.

With a base of online adults, 12% are unaware of ebooks or the ability to download books, 68% are aware of ebooks but have NEVER downloaded any.

Only 20% who are aware of ebooks have actually bought and downloaded them. This is in the US.

More men have bought and downloaded ebooks than women.

Of book buyers, the largest age group that downloads ebooks is 25-34 in the US, with 30% of that age group downloading at least one book in the last six months. That percentage drops dramatically outside of that age group. These are numbers from people who buy books, not the general public. So if only 30% of people aged 25-34 who buy books, buy ebooks, it doesn't take much guessing to realize that the rest buy paper or hardcover books.

Interesting numbers, don't you think?

The Next Big Thing Week 9: The Andromedans (Book Three of the Empire Series)

Thanks to Greg Lamb of The Indie Exchange for tagging me in the Next Big Thing Blog Hop.

What is a blog hop? It's like a game of virtual tag. I get to answer ten questions about my Work In Progress and tag 5 other authors for next week.

Ten Interview Questions for The Next Big Thing

1.      What is the working title of your book?

The Andromedans, which is the third and final book in the Empire Series.

2.     Where did the idea come from for the book?

My inspiration was an old British TV series, Blakes 7, and episodes of Dr Who (Inferno) and Star Trek which briefly explored an alternate universe where the heroes lived in a dystopian world and they faced uglier versions of themselves. I was interested in the worlds they depicted and wanted to explore what it would be like to live inside worlds like that from various angles.

3.     What genre does your book fall under?

Science fiction with elements of humor and romance. Some would call it military science fiction because of the setting, but it’s not.

Being a critic, or why is it wrong to want quality?

Being a critic doesn’t mean anything unless there is a reason for the critique. For me, just criticizing isn’t enough in itself. It’s like the boy who cried wolf. Now, many know I’ve been on a rant the last year or so, mainly against Amazon and lately about the influx of amateurs in the publishing industry. Or, at least it seems so to many. While the first is definitely correct, the second requires some qualifiers.

What is it that I’m against and why?

For Amazon, it’s very clear, so I won’t go into that.

Those who know me, know that I root for the underdog. I have fought against bullies on behalf of others even if that means leaving myself open to attack by bullies. I am not afraid because I know how to make them look ridiculous.

If anyone needs help, I’m there. But people who know me, also know that I don’t put up with crap and I have a crap detector that goes deep. With every fibre of my being I can’t stand crap, by anyone and I’m not afraid of other people’s opinions of me. If you are a proponent of crap or perpetrate it, I will be against you. Threats and whining will not sway me so bring it on.

Those who know me also know that I’m an analyst. I analyze everything to death and back and I will use facts and logic, and if you use crap to answer me back, be prepared to be roasted. Because I will roast you.

Remember? I detest crap. And when you put logic, professional behavior and facts against name-calling, whining and bad behavior, believe me, your colours will show very quickly to everyone. I will make sure it does.

Put your money where your mouth is, and make sure that your facts are real and not opinions and quasi-numbers pulled out of thin air from some blog on the internet that has no real basis because I will check. And make sure that your analysis actually makes sense. Because the crap detector hates inaccuracy or anything that makes no sense. Nothing irritates me more, other than bullies.

One other thing is that if you can prove me wrong with rigorous logic and verifiable facts, and not self-serving opinions, I will see it and change my mind. I have been known to do that, but I expect the same honesty and honor from others.

So what am I railing against in the publishing industry?

IFWG Publishing: New Release: The Rebels by Elizabeth Lang

IFWG Publishing: New Release: The Rebels by Elizabeth Lang: IFWG Publishing is proud to release Elizabeth Lang's second installment to her Empire Series, The Rebels. Elizabeth Lang's sequel continues...

The State of the Publishing Industry

Does anyone know what the publishing industry will look like twenty years from now? The business is still going through so many changes that it's too early to tell.

There are a few things we do know though and are fairly evident:

- Ebooks are here to stay and will gain an increasingly larger part of the market
- Amazon used to have a dominating position in the market (90%) but that has changed and they are in danger (60%)

Quality Speaks

I was checking out a friend's book on Amazon and I noticed something new. Amazon was claiming that for the ebook price: You Save: $13.00 (81%)

Huh? Save $13? On an ebook that was 2.99 and is now still 2.99?

Well, guess what, this is false advertising because you're not saving money on the same product, i.e. the paper book version.

They're comparing different products and claiming a savings? Tell me how that's logical.

Guess what. People aren't buying ebooks because they're embracing new technology, a big reason is because someone has artificially forced a lower price on ebooks in order to destroy the marketability of paper books. Do you seriously think that people would continue to buy more ebooks than paper if the prices where somewhat realistic and not priced like dollar store products?

Of Rebels and Heroes

I was watching the 25th anniversary special for the Phantom of the Opera on PBS and was moved by the story once again. Such grand themes, such strong emotions, such humanity...it always touches me, just like Les Miserables does.

In many ways, I have been influenced by these stories, as much as authors like Tolkien and David Eddings. Larger than life stories with multiple story lines and casts of dozens that reach into the heart of being human.

I looked at my own stories, especially The Rebels which will be coming out in April, and asked myself, what is it about? Who are the heroes? The villains?

Is it Adrian, the man who had his humanity stripped away as a child and who struggles with his emotions, the instincts that drive him, but which his mind wars against? He has a strong sense of right and wrong, not quite like other people's, but he tries to reconcile it into a form that makes sense to him, that is rational.

Is it Kali who is starting to come into her own as a character in this book? She also has a strong sense of right and wrong that is tied into her ability to sense the thoughts and emotions of others. It should make it easier, but for her, it only makes it more difficult because the world isn't painted in just black or white, and her abilities could very easily be used to destroy as much as to heal, something she finds out intimately in The Rebels and it scars her.

Is it Tucker, the charismatic former actor who fell into the role of rebel leader by accident? His struggle is that of legitimacy. He is a man who rides the wave of emotions, who enjoys being the hero and the adulation it brings, but he also thinks that what he is doing is right. He has a natural sense of compassion that serves him well as the hero, but he feels like a fraud and is afraid that one day people will find out that he's just an actor playing the part.

Or is it the bounty hunter, Argus, the man who captures Adrian in order to sell him to the Empire? Neither he, nor Adrian, profess to be heroes, the opposite in fact. But he has a tendency to save people when he isn't paying attention, though he swears it's for self-serving reasons. Adrian isn't buying it.

Are they all heroes, villains or merely human? The ending will surprise you. Look out for The Rebels, coming in April.

The 30-Foot Test

At a sci-fi convention, I attended a panel about book covers. It was very educational. One of the things that I took away with me was the 30-foot test. If your cover can attract attention from 30 feet away, then it's a good cover.

In terms of ebooks, does this rule of thumb apply any more? I wasn't thinking about this when I waded into the morass of books on Amazon to find a specific one, but my resounding answer is YES! I think this rule applies even more now than ever before.

Just do a general search on any category of book and you get pages and pages and pages of books. How the h**** do you chose unless you already have something specific in mind? Amazon making it easier on readers? Amazon making the browsing experience fun and exciting? My personal answer is BULL. I find no enjoyment in wading through mountains of crap, submitting my eyes to amateur covers that I can't even read the titles of in the voluminous lists, wasting my time clicking only to be faced with summaries and descriptions my two-year old nephew can probably write better.

Why should we let publishers tell us what to read? Why the hell not? Face it, having people wade through mountains of crap to pick out the better ones so that the general public doesn't have to waste its valuable time and money on it, is the reality of the industry. It is necessary.

There is a reason why the publishing industry has evolved to what it is today. It was to meet the needs of the readers and writers. There is value in what they do. Of course, there's a lot of it that is out of date. I recognize that very clearly. But instead of throwing out the baby with the bathwater, we should rescue the valuable things of this industry instead of having a company that only looks at the bottom line--who will publish books merely because they are paid to and not because they believe in the author enough to take the risk--call the shots for an industry that is not simply a business, it is a valuable part of our culture.

I still find great enjoyment going into a bookstore and poring lovingly through book shelves because I know that I've had great experiences in the past. I've been able to walk away with books from known and unknown authors and enjoy them for days, if not treasure them forever. Why? Because most of the books in a bookstore are by reliable imprints. They went through the hands of those supposedly dastardly, mean and arrogant publishers who have the gall to chose the best of all the crap that passes through their inboxes and publish them for the rest of us to enjoy. Oh yes, I know they miss a few. They are only human after all, which most people tend to forget. But I have yet to find the need to throw a book by any reliable imprint into the trash because it is so badly written I can barely get through the first chapter.

I'm not a snob. I love many books and am always on the lookout for great new authors. That's why I've been scouring through Amazon's lists of free/cheap books by obvious newbies, looking for those gems. I also plunk down money I can barely afford to find those books because I'm not just looking for cheap, I'm looking for enjoyment and quality.

And what have I found? Never in my life have I had to read so much Crap, Crap, Crap. Or put up with such juvenile book descriptions from people who claim they can write but can't even put together an interesting or cohesive blurb to describe their books. Never in all my years of reading, have I had to put a book down because I can't even get past the first page without asking how the hell did this person ever get printed. Oh, it's because they paid to get it printed. Because this person is so clueless that he/she actually thinks he/she is a great writer and deserves to get printed. I'm sorry but these people make me ashamed to call myself a writer. How can we achieve any respectability in this industry when there are no standards to speak of, not even imperfect human standards?